Sword Art Online Alicization Asuna Two Men That Walk Past Her
Synopsis
Despite the defeat of Quinella—the pontifex of the Axiom Church—things have not seemed to calm down nevertheless. Upon contacting the real world, Kazuto "Kirito" Kirigaya finds out that the Ocean Turtle—a mega-float controlled by Rath—was raided. Due to a sudden brusk-circuit caused by the raiders, Kirito's fluctlight is damaged, leaving him comatose. Feeling insecure near the people at the Axiom Church, Alice brings the unconscious Kirito dorsum to their hometown—Rulid Village, disregarding her banishment due to an unabsolved crime. Now, Alice is living an ordinary and peaceful life close by the village, wishing for Kirito to wake up.
However, tragedy strikes when Alice notices that the Dark Territory has already started to invade the Human Empire. Reassuming her previous alias, Alice Synthesis 30, she promises to defeat the Night Territory in lodge to defend the globe that Kirito and Eugeo worked then hard to protect.
[Written by MAL Rewrite]
Background
Related Anime
Characters & Voice Actors
Staff
Reviews
Dec 28, 2019
12 of 12 episodes seen
| Overall | ix |
| Story | 0 |
| Blitheness | 0 |
| Sound | 0 |
| Character | 0 |
| Enjoyment | 0 |
The globe of SAO'south lit is already so jam-packed with Kirito and Asuna providing enjoyable moments that it'south unimaginable we'd demand any more of them. How many of the anime fans hate SAO and its story? The weird surprise of Sword Art Online: Alicization - War of Underworld it gives the possibility to a more creative story and to other characters to polish, leaving zombie Kirito equally a secondary character. I know this already happened on the "Female parent'south Rosario" arc when other characters were immune to take the lead. However, this fourth dimension I think the author handled it better, and for that reason, Alice's growth is delightful, and the story is more enjoyable than the usual SAO's plot. Without whatsoever fear of fault, SAO Alicization is the best arc of the series so far, and I hope to run into the sequel in a few months because I am eager for more than SAO. The story is a prelude of the war that we volition meet in the sequel, and it has a nice step. The plot introduce the characters and the reasons behind the fight. However, from my perspective, the villains are non appropriately developed, and some characters need a fleck more details that I hope to see in the next sequel. We practise non have the usual data virtually them, and that could be seen every bit a terrible consequence. Also, at the begging, following the events from Alacization, we have a Kirito that ended in a catatonic country. I thought that without him, the story would neglect. Still, at present I tin can say it is better. The other characters are now the protagonists, such equally Alice. Her volition to fight or all the conflicts surrounding her and the demand to come across all to possibilities and her reasons to wearable the armor again. Furthermore, she proved that she could be the principal lead of SAO's series. I liked the part when she decided to fight over again in the commencement episodes. Also, if we notice, Kiriko is used every bit a motivational graphic symbol, as we tin see in some events. Fifty-fifty if he does non fight or talk, he stills as an essential character of the whole series. Additionally, the entrance of Asuna is excellent. Withal, she looked vastly overpowered. The catastrophe was interesting if you ask me. I am non giving whatever further details about the plot; I want to avert any spoiler that could destroy the readers' enjoyment. Even if you hate SAO or find it annoying, I am sure you can savor this arc. The bad part is that y'all need to know the characters or the previous arc to understand the whole plot. The art and sound impressed me. It is excellent and gorgeous. I was not expecting that quality, and it helped the story to exist entertaining. All the fights and the camera movements combined with a good score and sound mix made a great series that hope it continues with the same level in the sequel. Finally, SAO is not a loved series. Still, the LN is now the all-time LN of the decade in Japan; we need to give the serial some credit and stop burying information technology because we cannot stand the plot in some parts. The fans loved it, and I love information technology. I know there are some silly parts that we want to avoid, only Alicization is the best arc from those novels. I am thrilled that they animated it.
Jan 3, 2020
12 of 12 episodes seen
| Overall | 4 |
| Story | 3 |
| Blitheness | 8 |
| Sound | vii |
| Character | 3 |
| Enjoyment | half dozen |
War of the Underworld is exactly what people mean when they say "Expect pretty and practise as niggling as possible."
In that location is sakuga in every episode, the artwork is vibrant, and the fight choreography is better than always. Every bit for the writing, it is hasn't improved much over Sword Art Online's previous seasons. Where the narrative shines is its premise: The underworld is a hellish land cloaked in a warm aura radiating from the blood-ruby-red sky. Flatter than an ocean, it is a wasteland populated with no vegetation as far as the eye tin can see. Divided past a valley of stone are humans on one side and monsters in the Night Territory on the other. In real life where the A.L.I.C.E. simulation is operated, a group of terrorists invade the game; they overthrow an empire of monsters then march them into a war to impale the practiced guys and Kirito—who is in a vegetative land for the duration of this season. The terrorists enter the game as generals of the monster army, it all plays out like a shlocky faux of Matrix three. Once over again, the script is overwritten every bit hell. There are and so many buzzwords and names that you lot'll need flashcards to keep rail of them. Earlier the titular War begins, every single grapheme who isn't a CGI soldier gets a close-up with a name tag. Virtually twenty of them were introduced before anyone drew a sword. We only needed the name tags because the setting is and then underwritten. With the blank minimum earth-building, there is of a sudden an all-out war and we're expected to follow along. At that place are simply two people on either side you lot have a reason to care about. Alice and a wheel-chair bound potato, and the ii bad guys they're fighting against. Any moments of self-cede or emotional death ring hollow. Every tearjerker moment felt 100% similar emotional manipulation, but I tin can't say they made me experience cipher. When the music cuts out, the scene fades to washed-out colors, and all that'due south left is a close-up of someone with tears streaming down their faces, it is about moving. Almost. A cowardly knight got a sorry flashback that explained his personality, it should accept been deplorable, but he was so irrelevant that it evoked no emotion. The moment at least fabricated him less one dimensional. However, it's immediately undercut considering he suddenly becomes a fearless badass. And that'southward the best character development we've got. A few of the knights got half-episodes similar that guy; I'll acknowledge, these moments of introspection paired with an electric guitar riff and scenic sakuga were awesome. A majority of the screen time is dedicated to battles, strategizing on either side, and knights valiantly fighting lone. The best animation comes out during the solo knight battles. The animation is almost movie quality during these moments. There's a fair share of CGI during footsoldier combat for filler between the impressive fights. There is at to the lowest degree one spectacular display of sakuga every episode, which is unheard of in a Boob tube anime. This commitment to a visual spectator is what made A-1 Pictures split this season into ii cours, a wise conclusion on their role. It'southward not every twenty-four hour period I find myself praising this problematic studio; with the recent release of Kaguya-sama: Dearest is War, now this, it's prophylactic to say they're on a whorl. The directing and writing of this series, unfortunately, falls far below Kaguya-sama. Logic defying fighting, plot holes, mediocre editing, the roller coaster pacing, and an overreliance on name tags. I tin can't remember the final time I've seen this many tags on characters, locations, factions, and times. I guy throws a punch, another catches information technology earlier he hits him—ii seconds pass then we get close-ups of their shocked expressions. This probably seems like I'm nitpicking, but when everything in the evidence is off by a 2d or ii, it makes the action feel tedious and asunder. Both OP/ED in the prior Alicization themes were much better than these ones. The songs are average, both visually and audibly. Lisa and Eir Aoi did much better work on the last season. I'll also say, the phonation acting was great amidst all of the activeness. The Engrish interspersed in the existent-world characters' dialogue was hilarious. A vegetative Kirito is hilariously wheeled into the battle in his wheelchair. Correct from the offset episode, it'south hinted he will wake up when the time is correct. Essentially he is a plot device waiting for when Alice is in a compression. He hangs behind the regular army, with a constant creepy smirk on his face, while Alice awkwardly hovers in a higher place on her dragon equally if it's a damn helicopter. That dragon tin can impale a horde of monsters similar it's nothing. She is just as overpowered every bit Kirito. Alice could take been a skillful grapheme, unfortunately, she is but equally flawless as Asuna. Neither of them develops over the course of the season. And existence TOO prissy isn't a flaw!! Rather than the main character, she is an extension of Kirito. Just like every other fourteen-twelvemonth-old looking girl in this show, she is in beloved with Kirito. She is motivated by her want to protect him outset, everyone else comes second. While Alice has her ain reason having no personality, it doesn't make for a good protagonist. At one point, another knight showed upwards, a female person knight listen you, who wanted to meet Kirito and so she could "try some things to wake him up" *wink wink nudge nudge. If Alice hadn't stopped the bitch, she would have given him a good old handy while he was besides mentally incapacitated to consent. Alice wouldn't desire some other woman putting the moves on her man, obviously. The whole confrontation is disgusting on multiple levels, but it just goes to show Alice's main purpose in the show is to await pretty and protect her hereafter married man (little does she know he's engaged). Subsequently not also long, Alice is swept nether the rug in favor of a few knights and generals. The rest of her appearances are brief and surface level. In one of her moments solitary with the audience, she monologues about the unfairness of the war. Monsters and men accept the same souls, and they should non be fighting, and so she says; meanwhile, CGI goblins lethargically moving ridge their swords two at fifty-fifty uglier CGI humans in the background. Their swords don't even come within iv feet of hit each other. The "modeled in ten minutes with Blender" aesthetic really adds depth to Alice'south philosophies. To compensate for Alice's personality (or lack-there-of) more ladies find their way to Kirito every bit if he's a magnet. The thing is, Kirito didn't need to be such a waste of air in this flavor. He is a prisoner of his own heed, this was a smashing take chances to give usa insight into his thoughts. Unfortunately, this was another case of wasted potential by this adaptation. During the get-go one-half of the show, there is a fleck too much time spent in the real world (like to the well-nigh frustrating parts of Assassin's Creed). Everyone in the existent earth is at that place to info dump the plot of this flavour, no characterization at all. I didn't know one of these guy'due south names aside from Asuna. Oh yeah, she is all the same hovering around Kirito like a wing on shit, telling us how she "won't forgive you!" if anything bad happens to her fellow. God, what does a homo gotta practise to get a female equivalent of a fruit fly babysitter? Kirito'south rejected women'due south club also shows up a few times in person to remind us they are still in love. Even the little winged rat Kirito calls his daughter shows up. The two girls who were nearly molested by the villainous guys from last season made an advent too. Non for any special reason, just to remind u.s.a. they still existed and they're all the same in love. Being trapped in a new game, Kirito's harem couldn't come. Even as a irish potato, our main god himself still gets all the ladies. If this is your matter, no shade, just take this paragraph with a grain of table salt. 1 concluding affair to add; when every female character (who knows the protagonist immediate) only talks nearly their beloved of a irish potato, aside from surface-level observations and info-dumping, I consider them poorly written characters. As for the villains of this season, there are slim pickings. The first bad guy is a comically evil fat dude who calls Alice a witch for trying to evacuate her family unit's village. He wants everyone to stay and defend the village because that's where all his money is. He even says "just I can't lose my money-I mean I don't desire the village to be destroyed!" The whole altercation is laughably stupid. Of course, Alice gets them to go out, cue the monster stampede. After that episode, we never hear from him again. So the true adversary makes his appearance. The blonde-haired terrorist bastard. This guy is then bad I wished for the first i to come back. The leader of the terrorists is a psychopath who has been killing people since he was a child. The murders of an ambrosial little girl a beautiful woman in lingerie are shown with creepy detail. In a show near kids fighting off anthropomorphic animals and goblins, gross exploitation for daze gene feels and so out of place. You could contend this is 'graphic symbol development' considering we demand to know the bad guy is Very Evil, even though he'south barely in the show. I'd say his personality was conveyed sufficiently by displaying a woman's severed head the foot of his throne. Not to mention, the master 'antagonist' is barely in the show. Another evil full general I want to mention is a woman wearing only ribbons and a cape like a dominatrix. She is Very Evil too. When she kills people she gropes herself and moans. Very depraved. Very necessary graphic symbol development. Quinella—the adversary of the previous flavor—appears as a 'devil on your shoulder' type of villain. In dreamlike flashbacks, she speaks to the knight's inner insecurities and desires. Her voice is accompanied by an ominous flute likewise as a piano, both playing a low methodical tune. Quinella's scenes are enrapturing. She drew the knights, and me, into her eerie world. These moments were some of the best in the prove. Sakuga bated, there were a few other highlights in this season. Sword Art Online has never looked better than State of war of the Underworld; the sakuga is astonishing. As for the writing, it is still lackluster at best. A few slightly relevant knights got a modicum of character evolution. More than time should have been spent developing, you know, Alice or Asuna. It'south worth noting that I've been told this adaptation butchered the pacing of the source material. If the premise/characters practise interest y'all I would recommend seeking out the novel. A bevy of flaws aside, War of the Underworld surprised me. Does it live up to the hype? No.
Is it the best flavor Sword Fine art Online? In my stance, aye.
Dec 28, 2019
12 of 12 episodes seen
| Overall | viii |
| Story | viii |
| Animation | 9 |
| Sound | ten |
| Character | 8 |
| Enjoyment | 9 |
Sword Art Online finally delivered. Later on years of mediocrity that's polarized opinions: 1 faction in support of the plain "unlike have" of Sword Art Online while the other pointing out the definite flaws in the series, one of the most popular anime franchises has lived up to the hype. I was a part of the latter faction for much of the time since the series blasted its manner to popularity in 2012. And at that place were reasons for this: the series started off okay in the kickoff one-half of Sword Art Online, but then fell off as it used sexualization to evoke tension and rushed through stuff quicker than its viewers could encompass, in the 2d half of the season. The second season didn't amend much on whatever of these aspects. In fact, it may have gotten worse. Sword Art Online: Alicization did showtime off promisingly, edifice upwardly characters and the new earth that Kirito was thrown into, merely the aforementioned old issues plagued this flavor towards its end as well. There goes another season, and there goes some other opportunity for Sword Art Online to improve itself. I was on the verge of giving up on the serial as whole, only decided to requite Sword Art Online: Alicization – War of Underworld a effort. And to my pleasant surprise, this season did not disappoint. From start to cease, it had me excited for each episode, and finally there was some polished character development. It added on to the world that SAO Alicization had developed and enhanced the existing elements in supreme fashion. The problems afflicting the series as a whole were minimized, if not totally eliminated in case of some. The story continues where Alicization left off with Kirito being paralyzed following the events that had occurred. Tripped past guilt and inspired by Kirito, Alice makes it her duty to protect him and discover every way possible to restore him to a conscious state. To this end, she's abandoned her post as an integrity knight, and started living in a remote place with Kirito. On the other side of the earth though, things brainstorm to get heated upward as an unknown organization is targeting Rath'southward ship in society to gain access to Project Alicization. Because Kirito has been paralyzed, he's not an active presence in the season. The principal grapheme of this flavor is most definitely Alice, and she carries the drapery of being the central character quite uncommonly. She's developed a soft side, which we didn't meet too much of in the last flavour. And what lets her change is the fact that she'd been able to defeat the seal of the left eye. That's the aforementioned thing that prevents Integrity Knights from going against the Pontifex. Simply with the Pontifex defeated, the other Integrity Knights besides, have elements added to their characters. They aren't the stale fighting robots that they were in the last flavor, and it'south been shown how circumstances have inverse them. Having to fight the Night Territory as a whole, they show different sides to their characters. The great thing most the fashion the characters take been handled this season is that all of their evolution is done in a realistic manner which makes their evolution really believable and not simply a switch in personality. The art quality is superb every bit is the animation. The fights have a lot of flair to them, and the effects have been done to perfection. Every bit always, another new season of Sword Art Online brings more than great soundtracks. Ane matter that's always been good and never a cause for complaint throughout the many seasons and movies of Sword Art Online has been the soundtrack. Well, I guess the composer is Yuki Kajiura after all, and anything other than the all-time OST would be a disappointment when there'south her name involved. Sword Fine art Online: Alicization – War of Underworld just felt right. Finally, everything clicked for SAO this fourth dimension, from story to characters to execution. Sword Fine art Online never had production bug, simply managed to astonishingly fail in all of the other facets. This season just shows the immense amount of potential the idea has. There'due south then much freedom in the way the story tin be handled, and at times in the earlier seasons, Sword Art Online took this liberty to the extremes, never finding that sweet spot. War of the Underworld, though, found it and showed the states the heights information technology tin reach. Let'due south just hope this was a turning point, and the numerous following seasons maintain, or even exceed this quality. Considering they definitely can.
Dec 31, 2019
12 of 12 episodes seen
| Overall | viii |
| Story | 0 |
| Animation | 0 |
| Sound | 0 |
| Character | 0 |
| Enjoyment | 0 |
"THIS REVIEW IS SPOILER-FREE"
Isekai has ever been one of the most iconic genres in terms of popularity among anime. However, and unsurprisingly, not many of its shows are actually held at the aforementioned regard as those from other genres.
The question for this truth ahead came into existence long ago, but notwithstanding, notwithstanding to be answered. Is information technology because Isekai shows are always labelled with concepts of "trashy, childish and impractical series", or are they too familiar to viewers in recent years and therefore are non capable of differenciating themselves from others?
Several shows are introduced every yr, each portrays an attribute of the genre in its own way, but yet retains the similarity of someone being transferred to some other imaginary world with several designated purposes. Of form, this notion is non anomalous by now, just when information technology comes to the year of 2012, not all of us and then had already been informed of "What is anime?" to say naught of the term "Isekai". Notwithstanding, lilliputian do we know. Since the advent of SAO in that aforementioned year, Isekai genre has started a steady evolution in all aspects, and so somehow soared recently with SAO itself took a partial function of setting the ball rolling for this. Despite existence the about popular and beloved anime in 2012, SAO anyway gradually received 1-upping hatred from its own viewers, which has casted enough of questions with inappreciably whatever reasonable answers related to this incredible 180-degree turn. I have never been such a fan of SAO, only I do non detest information technology either. This is partly because of the whole novel notions and ideas Reki Kawahara intending to deliver throughout this franchise. An exceptional VR world of Aincrad that blew us away with its magnificent looks and feels, the creative and innovative concept of introducing future technology (which is even so to be a daydream at the present) right in twelvemonth 2012 as well as the hidden message that, on behalf of game addicts, expressed their inquiry about "What does real world mean?". Such hilarious and foolish this type of question is. Howbeit, being dedicated plenty to scrutinize this from its cadre in order to effigy out the most reasonable answer is non a simple chore. Impecuniousness of dedication is what thwarting us. So, what brings nearly this lack among Isekai genre, or to be more specific, among SAO franchise? Ane of the biggest problem SAO presented from its own beginning is that, it but followed one same pattern throughout the whole series, when we see an overpowered protagonist having to salve the twenty-four hours and defeat an antagonist, who is unsurprisingly stronger than him. Such merely predictable the plot is, from which a sense of colorlessness may result, and likewise turn a beloved serial into a total disaster just in one episode. I'thou not proverb that SAO 1 didn't larn numerous incredible potentials which were just as promising every bit it should take been when its showtime trailer was released. Indeed, this franchise was one of the most invested ones among Isekai genre with fascinating characters, spectacular animations, breathtaking scenes and total ballsy soundtracks. The pacing was somewhat reasonable and matched the plot fairly precise, thereby grabbed the viewers' attention and made them follow the path of their hyperactive hero until the very end. Having said that, the show inappreciably introduced any breakthrough twists and turns with lackluster details, which really blurred the presence of some utmost fight scenes that ever existed in anime. These, together with unnecessary fan-service scenes, perchance served as rationales behind the hatred given to this franchise and turned it into a whole series designated for children thereafter. Unfortunately, SAO 2 followed that same path of failures. Numerous arguments take been made around this downturn and the nigh controversial one is "The fall of Isekai genre". This is partly due to the rapid explosion of Isekai shows, in number not quality, during the next few years, which caused viewers to suffer a blasé sense about anime also as their desperate need for a fresh alternative mainstream. This was probably one of the darkest ages amongst the anime history, but it practically left a huge question mark onto Isekai producers, whether they should reform the whole advent and comply with the changing bulk, or follow the same pattern that once succeeded equally to gain back their position in everyone's eyes? This Gordian Knot has surrounded the genre for nearly a decade and is yet to exist untied, with immediate submergences of nearly every Isekai shows released later on the twelvemonth of 2013 till this day. Having said that, several ones which did not suffer from this seemingly inevitable obstacle, "RE: Naught" for instance, have actually proposed a solution for which the whole genre has always wanted, and thereby make the grand escape all abroad from this contradict reality. Few have successfully managed to handle this, nonetheless. And it may come up even more amiss to many of you that amid these, SAO is the franchise which I believe to have completed the most compelling transformation. Earlier we enter the master part of this review, I just want to make out some indicate. I was first intended to encapsulate this latest season of SAO in a short and concise review, simply the further and deeper look I gave onto the story, the more I realised the injustice of criticising information technology without touching on the whole journeying information technology took to become to this very momment. SAO: War of Underworld (WoU), without a uncertainty, is 1 of the best long-lasting Isekai series in the anime world by far and the anticipation given keeps one-upping day by day, which is unexpected for a franchise exposed to that amount of love and hatred. And, believe or not, the fourth dimension has come for SAO to rise from the ashes, stronger than ever. The storyline, perharps, is the aspect should be introductorily considered for this. It is quite straightfoward with decent amount of information and frames displayed on each episode, therefore gives viewers a sense of being captivated with the catamenia of the show and somehow gets them curious nigh what is coming next. This, however, hardly appeared in whatever before seasons of the franchise. SAO 1 and ii did have some great storytelling at starting time merely then declined slowly later due to the appearance of some "filler" episodes and fan-service scenes, which had no betoken to make with the entire story. Another point worthed noting is that, the bear witness has incredibly expanded from the very beginning, no matter how many new ideas and concepts coming out each season, it still manages to retain its unique "VR earth versus real world". The whole franchise has heavily relied on this premise, with the introduction of hereafter technologies, from the Nerve Gear to The Seed, to its prequel AmuSphere and lastly SoulTranslator, which was the basis for the whole Underworld to operate. The fashion they are presented plainly matched the storyline, and therefore did not make viewers feel overwhelmed for such a lot of novel concepts to adhere to. The pacing of this flavor is what likewise gain it a plus mark. 12 episodes, when they end, but experience like that same corporeality, no more no less, but are stil able to convey the whole meaning of the story with scarcely misunderstandable details. Additionally, the season is far less dependent on random and meaningless comedic moments, none in fact, which offers a more than fluent and cohesive plot ever than what used to be in ii first seasons. Animations and visuals are yet astonishing as ever, breathtaking sceneries of the Underworld together with the absolute contrast of ones belong to Nighttime Territory somehow stuck into my mind the scenerio of our real world future if nosotros continue to destroy our planet. Bated from these, SAO WoU undoubtedly possesses winsome original soundtracks which are highly memerable and play an immense role on inculcating the series itself into its viewers. What's more, alluring character designs besides as highly genuine expressions on their faces absolutely got viewers interested further into their development, but we will get to that in a chip. Let us take a deeper look into the content. The main story is even so surrounding our protagoinst Kirito as he entered the Underworld created by RATH in gild to seek for an AI named Alice and take her with him to the terminate point of Underworld and so log two of them out. This has contrastly grown however, with Kirito having his Fluctlight damaged and is now incapable of moving or communicating with others. Several altercations have been made around this twist, but mostly emphasizes on the incentive this will requite to other characters of the show to have the spotlight, and the studio incredibly make use of this. We have Alice now having to make a hard decision of proceeding to protect Underworld and its inhabitants as an Integrity Knight or to take a step downwards and protect Kirito as a more than-than-close friend. The dilemma given to such a special AI like her initially seems to be overwhelmed, simply as her ain graphic symbol has been strikingly well-established, she somehow manages to equally contribute to both side of the coin. Furthermore, we get to see our supportive characters having been exposed to us for a decent amount of fourth dimension throughout the season, and when it ends, they really leave an impression on us of not ceasing as "supporting" merely really being an essential part of the entire story too as making information technology lively and captivating. This absolutely reminded me on the second flavor of AoT where we got to come across some of import characters afterward on (Krista, Reiner, Bertold, Ymir) being put to more than enough amount of screen times and secure their spot throughout the story. The improvement in this attribute really shines as a spotlight itself of the whole season, which assures that the show is now contained on the but one protagonist to behave it along, because the rests all can. Whilst the story plus the grapheme design of this season merely outweighed its former in many facets, one of the biggest issues with information technology, and surprisingly has not changed since the first one, is the world building. I'm not maxim this season'due south world building has partly surpassed the prequels, but nosotros need to concentrate deeper on the bodily premise of it. What I mean by that is Underwold, dissimilar orther VR worlds introduced throughout the franchise, is created and operated on the basis of what is inside its designer's heed. Trees, mountains, fields and rivers all exsist in the same way their creators want them to be, or in other words, they somehow mimic that exact aforementioned copse or mountains appeared in the creators' memory. As for its inhabitants, they depict existent globe's people but in another signal in history, around the mid 15th, 16th century. The dwellers live the lives of humankind and are obligated to obey the rules given, and consequently pave the way for a whole lodge to flourish. However, can this verbal same scenerio applied to those come from the Dark Territory? This is one real big issue that SAO and so far has not given any clues. The Underwold's inhabitants must follow the given rules notwithstanding any contexts and in fact are utterly unable to interruption them. As a result, this raises more questions about the existence of Dark Territory. Who constructed it, why would ones do that and specially how could information technology be washed if RATH had taken control of Underworld since its very first beginning? Some other question that should be raised during the flavor merely it has somewhat to do with our real world is that why wouldn't an AI question the fact that they are the production of human's hands and are roaming in an imaginary globe but just simply accepted it in the same style that Bercouli did? Or, if that'south on the table, why are they being created, what purposes do their creators want them to serve? Or something else to those furnishings. Furthermore, the origin of this region was succintly mentioned in the light novel, which should have also been presented in the anime from the very first. This actually cast a incertitude onto the reliability of the show's world building in the optics of viewers, and even though A-1 Pic actually completed a cracking job on giving viewers insights into SoulTranslator, the ground technology behind the functioning of Underworld, this is just superficial in comparison to the urgency of comprehending what is truly happening at the momment. Taking everything into consideration, SAO WoU has fully evolved into something entirely new which nosotros have never predicted when we offset watched information technology, and thereby changes its name from a whole childish Isekai evidence to one that deserves to be celebrated by all walks of anime fans and manages to distinguish itself from other series among the genre. The show is not flawless technically, but every bit it dares to stand up out correct in forepart of the viewers and affirmes its position in the anime world line, we should probably give it another shot. SAO now is no more a long-lasting series that we all want it to stop as soon equally possible, but the one that worthed our fourth dimension waiting every calendar week with definite hype, excitement and anticipation, which may be a scrap uncommon among Isekai genre. All the same, because it has somehow been able to non merely overcome the challenges given to the entire genre simply besides proceed itself upwards a notch, this may be the case. It's unsurprising by at present that SAO is truely worth watching and deserves the wait for an epic finale.
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Source: https://myanimelist.net/anime/39597/Sword_Art_Online__Alicization_-_War_of_Underworld
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